詳細(xì)信息
Midas XL8 邁達(dá)斯數(shù)字調(diào)音臺(tái)
XL8 Overview
Digital goes Midas. The industry held its collective breath when the XL8 was unveiled in 2006 as this was not merely another digital mixing console. It brought audio control and distribution, in fact all aspects of the live performance to one single control centre. Being a Midas it coupled sound quality, flexibility and reliability with an ease and familiarity of use unrivalled by other digital control surfaces.
The XL8 has been designed so the engineer doesn’t have to think in terms of numbers, pages or layers. The user navigates the system and identifies channels by colours and groupings, which they themselves create. This method allows an individualised approach to mixing, rather than working within hardware-dictated numerical limitations.
數(shù)字產(chǎn)品邁達(dá)斯。業(yè)內(nèi)人士舉行了集體呼氣時(shí)XL8亮相于2006年，因?yàn)檫@不僅是一個(gè)數(shù)字調(diào)音臺(tái)。它帶來的音頻控制和分配，其實(shí)，在現(xiàn)場表演一個(gè)單一的控制中心的所有方面。它作為一個(gè)邁達(dá)斯加上聲音質(zhì)量，靈活性與方便性和其他數(shù)字控制面無與倫比的熟悉和使用可靠性。
該XL8的設(shè)計(jì)使該工程師沒有想到在數(shù)量，網(wǎng)頁或?qū)訔l款。用戶導(dǎo)航系統(tǒng)和標(biāo)識(shí)的顏色和集團(tuán)，這是他們自己創(chuàng)造出來的渠道。此方法允許個(gè)體化的混合，而不是在硬件工作，獨(dú)裁的數(shù)值限制。
Overview
Five “Daylight Visible” Screens with 3-way KVM switch
432 inputs and 432 outputs connectivity
Direct Point to Point routing, any in to any out with metering
4 I/O box alternatives: distributable I/O with 600m range
112 mix inputs onto 51 buses
12 VCAs
8 POPulation Groups
4 EQ types and 5 dynamics styles as standard
16 effects devices
Up to 51 1/3 octave graphic EQs (37 standard)
Configurable “Area B” for dual operators
2 independent stereo solo systems
55 P&G Motorised Faders
Surround panning including 5.1, Quad and LCRS
500m bi-directional 192+192 channel redundant snake
All I/O units connected by AES50 bi-directional 24+24 channel CAT-5e
All I/O can be 100 metres from Front of House or Stage router positions
8 AES50 Ports on the Control Centre and 10 on stage router (DL461) for I/O expansion
Scene by scene re-assignment of routing and effects
All DSP processing, AD/DA conversion and networked audio is at 96kHz sample rate
All DSP processing, AD/DA conversion and networked audio is fully and automatically time aligned
Extensive and comprehensive scene automation system
Show files are fully compatible across software releases and all Midas digital consoles
MIDI and GPIO automated events at FOH and stage
Ethernet tunnel provided for 3rd part communications through snake
Dual-Redundant Linux Control Computers
Dual-redundant audio networks
DSP, I/O and controls redundancy
Single and dual (for FOH + monitors) versions
Three year factory warranty
